Beate Geissler is an interdisciplinary artist researcher and educator interested in the question of how human actions transform the planet and how those transformations alter our existence. Her work concentrates on inner alliances of knowledge and power, their deep links in western culture and the escalation in and transformation of human beings through technology. Her work has been exhibited nationally and internationally in museums, galleries, and alternative spaces, including: the Renaissance Society at the University of Chicago; the Museum of Contemporary Photography, Chicago; the Fotomuseum Antwerp; the NGBK (New Society for Visual Arts) in Berlin; the National Taiwan Museum of Fine Arts; the Fotomuseum Winterthur in Switzerland; the Museum Ludwig in Cologne; MAST Foundation in Bologna, Italy; and German Pavillion at the Photography Biennial Dubai, UAE and the Haus der Kulturen der Welt, Berlin. She has been the recipient of a number of grants and awards, including: the Videonale Award from the Museum of Art, Bonn, Germany; the Herman-Claasen-Award (Cologne, Germany); production grants from the Graham Foundation, Chicago and a Humanities Without Walls Grant; she is an active participant of the project Mississippi. An Anthropocene River (https://anthropocene-curriculum.org) and was awarded a residency at the Max Planck Institut for the History of Science in Berlin. She published four monographs: Return to Veste Rosenberg (2006), Personal Kill (2010), Volatile Smile (2013) and the bio-adapter (Oswald Wiener) / you won’t fool the children of the revolution (2019). She is a founding member of Deep Time Chicago an art/research/activism initiative formed in the wake of the Anthropocene Curriculum program at HKW in Berlin, Germany.