Catherine Becker is an associate professor in the Department of Art History and an affiliated faculty member in the Global Asian Studies Program. Her research interests include visual storytelling methods in the Buddhist art of South and Southeast Asia and contemporary artistic reinterpretations of the past, specifically how the remnants of the past—not only in the form of physical monuments, objects, and images but also in more abstract definitions of “tradition”—have been pressed into the service of present ideologies. Her first book, Shifting Stones, Shaping the Past: Sculpture from the Buddhist Stupas of Andhra Pradesh (Oxford, 2015), considers sites of artistic production in this region from the first century of the Common Era to the present in order to examine the uses of sculpture, narratives, and visual culture in creating sacred space, forging communities of devotees, mediating between the past and present, and articulating transnational Buddhist identities. Recent research has investigated artistic links between Buddhist communities in South India and Sri Lanka during the early centuries of the Common Era, with special attention to shared narrative strategies. She is presently working on a second book that analyzes how India’s spectacular sound-and-light shows—including early versions with twinkling lights and booming voice-over narration alongside more recent shows using brilliant and psychedelic video projection mapping technology—illuminate a wide range of historic monuments with narratives that frame India’s cultural heritage in profound and perplexing ways.